First broadcast on January 14, 1960
Script by Spike Milligan
Produced by Peter Eton
Announced by Wallace Greenslade
Orchestra conducted by Wally Stott
WALLACE |
This is the BBC. It feareth not, and holdeth forth not, but it keepeth friends with alleth. |
NED |
And a ripe twit thou soundest. What's all this 'thim them thou' chat? |
WALLACE |
Chat? Well, we felt that in strict contrast with the coming brisk clinical commercial radio, we might introduce an olde worlde atmosphere. |
NED |
A good answer, now read the statues on this Monogrammed Water Buffaloo. |
WALLACE |
In the absence of entertainment we present - |
Orchestra: |
Tatty Gong |
PETER |
The Great Brown, all the way from mysterious Upper Dicker. No question is too difficult. |
JIM |
First question? |
HARRY |
(Twitt) My name is Gladys Clutt. |
JIM |
There is no cure. Next! |
HARRY |
(Twitt) No, my name is Gladys Clutt spelt with a Masculine G as in Gee Whizz. |
PETER |
I'm his friend. |
JIM |
Just stand in this open crocodile and wait for the first spring swallow. |
NED |
Who won the Battle of Waterloo? |
JIM |
Tom Kretch. |
NED |
Wrong! It was Lord Wellington. |
JIM |
It's only your word against mine, Jim. |
Orchestra: |
Taa Raaaaaaaa Ching (On Real Old Cymbal) |
PETER |
(gushing BBC twit announcer) And this week's 'Workers Playtime' came from a cake-bottling factory in Burton Wood. Now, here is the foreman's name - |
NED |
Tom Hopkin. |
Grams: |
Roars of Laughter. Goats and Cows |
WALLACE |
That was the sound of the human race - resignation forms are now available. Now, to certain things - |
PETER |
(Swede) Aye to that, sirr. |
WALLACE |
The part of the Cornish idiot was played at short notice by a very well-known Cornish idiot player. |
PETER |
Harr ... narnnnnnnnnnn. |
WALLACE |
Ta. We present a tragedy - the story of Lord Seagoon, playboy of the Western Approaches, great lover, man of action, athlete, slob - and great wit. |
NED |
Who's a great twit? |
Orchestra: |
Dramatic Chords |
Grams: |
Old Time Orchestra Playing The Lancers In The Distance. Murmur Of The Dancers |
SPIKE |
Jove, you look lovely tonight, Daphne. |
PETER |
Oh, you're just saying that. |
SPIKE |
Let's go into the garden. |
NED |
Hear that maddening sound of gaiety, music and acting? Huh huh huh ... It took place in Robin's Post, my ancestral home at Hailsham, Sussex, S.W.3. Now, it's all gone. G-o-n-e pronounced - |
Grams: |
Spike (Pre-Recorded) saying very fast 'Goneeeeeeeeee' |
NED |
I was rich, as you will now hear. |
Grams: |
Ned (Pre-Recorded) saying slightly faster than normal 'I was rich' |
NED |
This is me now speaking, a ruined, broken, crumbling man, going to pieces. |
FX: |
Length of the Tubular Bell From the Tubular Bells. Let Drop On The Floor |
NED |
There goes another bit. |
PETER |
After her, men. |
NED |
Her? Yes, it was a woman who brought me this low - that and short legs. |
Grams: |
Quack of Duck |
NED |
Duck's disease, the curse of the Seagoons. Anyhow, we met years ago. Her name was Penelope, mine was Ned. Why, I can hear her now. |
PETER |
(old dear) Hello, Ned dear. |
NED |
There she is!!!!!! But let's go back to when it alllllll started. It was 1901 and I was holding a masked ball. |
Grams: |
Surge Up The Dancers And The Music. Then Down |
Omnes: |
Odd Lines of Chatter. 'Gad, She's Got A Trim Ankle', etc. |
THYNNE |
(approaches laughing) Ha ha ha, tell me Lord Seagoon, why are you holding that masked ball? |
NED |
This is no ordinary ball. |
THYNNE |
Don't frighten me, Ned. |
NED |
This man was the powerful Lord Thynne, power behind the throne, owner of The Times, Peer of the Realm and relief pianist at the Hackney Empire. |
MORIARTY |
Tell me, Neddie, what is that ball made from? |
NED |
Oh, silly old gold. |
Grams: |
Moriarty (Pre-Recorded): Series Of Screams And Yells About Gold. Take Three Overlapping Tracks. |
FX: |
Slapstick Fast Twice |
THYNNE |
Steady, Moriarty, it's only gold. Come, lets weigh it on this set of scales I happen to have handy. There. |
Grams: |
Squeak of Scales |
THYNNE |
Fourteen carrots, three turnips and a mango - gad, it's worth its weight in greens. |
NED |
But what does it mean to me, Lord Thynne, me, a man of means? |
ECCLES |
Hello Neddie, Hello Neddie. Ho, phew, I've danced every dance since it started, Lancers, eightsome reels, tango, waltz. |
NED |
Who was the lucky girl? |
ECCLES |
I didn't bother about them, I did it on my own. I'm not the idiot you think I am. |
THYNNE |
Oh, which idiot are you then? |
ECCLES |
Ummmmmm, what I mean is, I'm a great thinker. |
THYNNE |
For instance? |
ECCLES |
For instance, I think ... er ... I think ... I think I'll go home. |
THYNNE |
You thought of that all by yourself? |
ECCLES |
Well, if you put it like that - yes. |
THYNNE |
Minmmm - time for Conks Geldray. |
FX: |
Slapstick |
Max & Orchestra: |
Music |
MAX |
That was the music of Conks Geldray, folks. Conks lets in the air. |
WALLACE |
Mr. Geldray wishes it known that the Conks Anonymous Club is now open for membership. Part Two of our Tragedy. |
Grams: |
Old Time Music As Before. Music Stops - Polite Applause. Laughter of Dancers Leaving The Floor |
NED |
Between dances we sat on the balcony smoking port and drinking sherry. |
THYNNE |
(aside) Moriarty - stand by the light switch. Now, Ned, let's have a look at the golden ball. |
Grams: |
Crackling of Electricity. Dancers Reaction |
NED |
Don't panic, folks. It's only the gas mantles fused - carry on dancing. |
PETER |
(Geraldo) What do you mean, man? The boys can't see to play in the dark. |
NED |
Come now, you can busk. |
PETER |
Only from music. In the dark we're strictly a load of schmose. |
NED |
Nonsense. Hand me an instrument, I'll play. Waltz, please. |
Orchestra: |
Drums: Play Waltz Tempo |
NED |
And so the magic of my waltz rhythm rang through the hail (Sings) Fertang, fertang, fertang tang tang - but in the rosy light of dawn, I discovered myself sitting in the middle of a field in full evening dress playing the drums. I took immediate action - I stopped playing - |
Grams: |
Ned (Pre-Recorded) Saying Normally 'Next Dance Pleaseeeeeeee' |
NED |
- I said. |
MATE |
(to self) Hello, we got a right twit 'ere. |
NED |
Ah, good morning, Constabule. |
MATE |
Hello, sonny, lost the band? |
NED |
No, someone has stolen Robin's Post, my ancestral home. |
MATE |
(slowly) 'Ere, you haven't escaped from anywhere, have you? |
NED |
What do you mean? |
MATE |
You know - one of them. (Puts finger in mouth - wobbles) Wo wo wo wo. |
NED |
I say, how do you do that? |
MATE |
Wo wo wo wo. |
NED |
Here, let me try ... Wo wo wo wo . . - ha ha ha ha Let's do it together. |
NED & MATE |
Wo wo wo wo. |
NED |
I say this is fun. |
MATE |
And it's tax-free, mate. Now, come along, off to the station. |
Grams: |
Ned (Pre-Recorded) Protesting 'No no no wo wo (Speed Up Slowly) I'm not wo wo wow - let me go' |
MATE |
(Over Grams & FX) Come on, a few powders and you'll be all right on it. |
Orchestra: |
Soft Sad Long Dull Chord. Two Bar Hot Break On Trombone |
WALLACE |
Very puzzling. Part Two |
FX: |
Rattling Iron Door |
NED |
Let me out of this place! Take this jacket off. (Interrupts behind Wallace) |
WALLACE |
Lord Seagoon had been incarcerated in a gentlemen's rest home in Sussex on a charge of going 'Wo wo wo wo wo', illusions of grandeur, and duck's disease. Wow wo wo wo wo - I say, it's not difficult -wo wo wo wo wo. |
MATE |
In you go, too. |
Grams: |
Iron Door Slams |
WALLACE |
You can't lock me away, I'm from the BBC - wo wo wo wo wo wo. |
MATE |
Oh, you're just the right type, mate. Wo wo wo wo 'em, mate. |
NED |
It's no good, Wa!. We'll plot to get out of here -I'll bake a cake, put a file in it and post it to myself - |
JIM |
Parcel for you! |
NED |
It's arrived! |
FX: |
Rapid Ripping Open |
NED |
And here's the file. Now, while I claw a hole in the wall with my bare hands, you cover up the sound by filing through your teeth. |
FX: |
Filing |
BLOODNOK |
I say, are you filing your teeth? |
WALLACE |
Yes. |
BLOODNOK |
Well put 'em under 'T'. |
NED |
Bloodnok! How did you get in here? |
BLOODNOK |
I have the OBE and a parcel of steamed squids. |
NED |
Shut up man - help me dig a tunnel. |
Grams: |
Digging Up Rocks By Hand |
BLOODNOK |
Ohhhhhhhhhh ... Ohhhhhhhh - |
NED |
You've got to get rid of these rocks - |
BLOODNOK |
I'm eating them as fast as I can! |
NED & BLOODNOK |
(grunting) |
Grams: |
Rocks being Piled |
WALLACE |
What are you doing, Mr. Seagoon? |
NED |
Twit! I'm trying to tunnel out. |
BLOODNOK |
Now, Ned of Wales, Bloodnock of Anywhere will get you out of this home provided you sign the contract on this boiled egg. |
NED |
(dry) Is this contract binding? |
BLOODNOK |
A real eye waterer. Now, let's have your deposit - this set of drums will do - gad, they look in fine military condition. I'll do a parrididdle on 'em. |
NED |
Don't you dare!! |
Orchestra: |
Drums Play A Military Beat. Side Drum And Undampened Bass Drum |
BLOODNOK |
(over orchestra sings his favourite military melody. All fade into distance) |
NED |
He's escaped by military drums. Thank heavens - he's gone. |
BLOODNOK |
And thank heavens he's back again. 'The Return of Bloodnok', Part Three. (Acts) Hello, Neddie of Wales. Look, we've all been imprisoned here for wo wo wo and unlawfully detained as retired stud horses. |
NED |
Yes, why should we spend the rest of our time here? |
BLOODNOK |
True. I mean, I can still pull a cart and whistle the Queen (Whistles tunelessly) |
NED |
Look, this is my plan. |
Grams: |
Series of Electronic Sounds |
BLOODNOK |
It sounds infalliable, when do we start? |
NED |
Now. First we must contact a solicitor. Contact. |
CRUN |
Contact. |
Grams: |
Propeller-Engined Plane Roars Into Life Then Slurs To A Stop |
CRUN |
Contact made. Wclcome to Whacklow, Futtle, Crun and Bannister - Solicitors for Oaths, Thin Oil and Certain Thingssssssssss. |
MINNIE |
Thingssssss! |
Orchestra: |
All Join In 'Thingssssssssss' |
CRUN |
Thingssssssssss are catching onnnnnn, Min. Now Sir, what, apart from your plasticine nose, is the trouble? |
NED |
My wife left me. |
CRUN |
Where did she leave you? |
NED |
At home. |
CRUN |
What was her name? |
NED |
Mrs Seagoon. |
CRUN |
So, she's a married woman? There's a clue. Have you a description of her? |
FX: |
Rustling of Plans |
NED |
Here's a complete set of plans of her. |
CRUN |
These are the plans of a house. |
NED |
She's inside. |
FX: |
Door Opens |
NED |
Anybody in? |
RAY |
(off) Yes, there is. |
CRUN |
What is your name; Madam? |
RAY |
I can't see, the lights are fused. |
FX: |
Door Closes |
NED |
You see? All we've got to do is find that house and there she'll be. |
CRUN |
Krermunck. Thingssssss ... of Mongolia? |
MINNIE |
(off) I won't be a second. |
CRUN |
Good, there's no money in the boxing game. Min of Mongolia, this man in the mosquito net hat is a new client. |
NED |
How do you do. |
MINNIE |
I didn't catch the name. |
NED |
(dry) I haven't dropped it yet. |
FX: |
Tubular Bell Dropped On Stage With A Telegraph Pole Clang |
NED |
That's it. |
MINNIE |
Mr. Steel, he's coming, he's coming neareer, he's almost here, he's arrived. |
NED |
Who? |
MINNIE |
Ha ha ha ha. |
CRUN |
Now, Ned, that will be a pound. Come and see us in ten guineas' time. |
NED |
Have you got change of a hern - no? Then to hell with you. |
Grams: |
Wolf Howl |
RAY |
Man, that sounds like my cue and I don't like it, I don't like it at all. |
The Ray Ellington Quartet: |
Music |
WALLACE |
That was Ray Ellington who is seven feet tall and covered in ginger hair, known in Woodside Park as - 'Gor, look at 'im!'. Part Three of 'Certain Thingssss'. Mr. Thynne - will you summarize? |
THYNNE |
The secret of Ned's missing home is simple. We have lifted it lock, stick and birrle on the back of a tank transporter. The dance inside continues. We intend to ransom the more important guests to Eastern Potentates, to be held as political hostages who will become the centre of international political tension at a reduced fee of ten guineas a day until World War Three, or the price of avocado pears is reduced to the ore fourteen minimum. Now for my next impression - |
Grams: |
Tank Transporter Rumbling Along The Road |
MORIARTY |
Driving along the king's highwayyyyy. |
THYNNE |
Happy, Moriarty? |
MORIARTY |
Owwwwww. |
THYNNE |
Look, there's something in the road ahead. |
MORIARTY |
It is a head, with a body attached. |
BLUEBOTTLE |
It's mine, Bottle of Finchley. Can you give me a lift to London Town? |
MORIARTY |
Go on, hop it. |
BLUEBOTTLE |
It's too far to hop it. |
ECCLES |
Hullo, Bottle. |
BLUEBOTTLE |
Cor, look, look at him, in brown evening dress. Eccles of Lengths. |
ECCLES |
He's OK, Moriarty, he's a friend of mine. Come on. |
BLUEBOTTLE |
Ta, Eccles. Here's a cigarette card of Newt, and here's one of a King Edward potato at two months old. |
ECCLES |
Oh, just what I need for lunch (Gulps) Ohhhhh |
BLUEBOTTLE |
I been doing life-guard duties on the Splon beach at Ratsgate. |
ECCLES |
I didn't know you could swim in water. |
BLUEBOTTLE |
I had to learn to swim at two weeks old. |
ECCLES |
Why? |
BLUEBOTTLE |
The vicar dropped me in the font. |
Grams: |
Splash and Bubbles - |
BLUE BOTTLE |
I went. My next impression will be of a goose. |
Grams: |
Peter (Pre-Recorded): Screammmm |
BLUEBOTTLE |
Ohhhhh, hello everybody, I didn't see you there. One - Iwo three ... oh, not such a big crowd tonight. (Thinks, panic) Is - is poor Bottle losing the public that has kept him in liquorice and long shorts for all these years? Am I a fallen idol? Another has-been? Noooooo! I shall go on from triumph to triumph. |
FX: |
Swanee Whistle Down, and Thud Very Fast |
BLUEBOTTLE |
Oh, my trousers have come down! Never again will I trust knitted string from Freda Milge. |
ECCLES |
Never mind, have a brandy. |
Grams: |
Long Pouring From A Three Gallon Tin Into A Glass. Then A Long Syphon of Soda |
BLUEBOTTLE |
No thank you. Ringgggg-ringgggg-ringgggg - the phoneeeeee. Hello? |
NED |
Hello, Bottle, help me, where is Robin's Post? |
BLUEBOTTLE |
It's on a lorry going down the Great North Road. |
NED |
You will be rewarded for this with a twill nightie and a spare sock. Gid up! |
Grams: |
Dick Barton Theme - Then Paul Temple Theme - Then The Archer's Theme - Then Mrs. Dale's Harp |
NED |
It's pick of the flops! With that music behind me and my horse underneath - |
Grams: |
Lone Ranger - William Tell Theme - Goes Under - |
HERN |
Yes, a fiery horse, a flash of light, two pounds of potatoes, a sack of knees and ho Silver and the Lone Ranger. |
FX: |
Coconut Shells |
NED |
Gid up, proud beauty. |
PETER |
(old dear) All right, dear. |
THYNNE |
Ring ring ring in the direction of Ned. |
NED |
What's that? It sounds like a telephone. (Tastes) It tastes like a telephone. What number does it taste like? |
BLOODNOK |
Hastings 1066. |
NED |
That's us. Hello? |
MORIARTY |
(distorted) Listen, Neddie, I'm warning you not to follow us. We've had beans for dinner. |
NED |
What what what? Arrest that phone, the man on the other end is a criminule. |
FX: |
Handcuffs And Chains On Telephone |
NED |
There! Hello? Hello? Blast, he's escaped, this phone is empty. Tarara! |
BLOODNOK |
It's near enough for jazz. |
NED |
We'll never catch them on a horse. But, just as I said that, folks, an old Indian hooker drew up on a nearby canal. |
LALKAKA |
Hello hello hello hello, Mister Man. |
BANAJEE |
Yes, Hello. We are Hindu bargees, Lalkaka and Banajee Limited. Here is our card. |
NED |
(reading) Jim Jones and Tom Squat, Printers. |
BANAJEE |
Yes, they are the men we bought the cards from. |
LALKAKA |
We got them second hand. |
NED |
Right. Cast offffffff. |
Orchestra: |
Open Sea Music: Shouts of 'Aye the Spon', etc. |
NED |
Now then, who's our navigator? |
ECCLES |
I am. |
NED |
(panic) Man the boatssssss! Neddie and children first. |
ECCLES |
Wait a minute ... Major. |
BLOODNOK |
Let me explain. This man is brilliant at cartography and astral navigation - ask him any question. Eccles, did you know that the mouth of the Amazon is one hundred miles wide? |
ECCLES |
Oh, yer. |
BLOODNOK |
And the coast of Albania is ten thousand miles long? |
ECCLES |
Oh, yer. |
BLOODNOK |
You see? He knew the answer to both questions. |
ECCLES |
Yer, here's a map of the route. |
NED |
What's the scale. |
ECCLES |
Doh ray me far so la te doooooooooo. |
NED |
Perfect. (Calls) Set course for Ferpudden. |
ECCLES |
What's Ferpudden? |
NED |
Prunes and custard. |
BLUEBOTTLE |
Wind's coming up. |
Orchestra: |
Ta Raaaaaa |
BLOODNOK |
Caught with their instruments down. Ohh, not long to the pay-off now, folks. Now, Neddie, pick a card - don't show it to me. What is it? |
NED |
Jim Jones and Tom Squat, Printers. |
BLOODNOK |
Correct. |
JIM |
Helloo, Jim, hello Jimmmmmm. |
NED |
Heloooooo Jim. |
JIM |
Look what I found floating in the canal - the pay-off. |
NED |
It's the front door of Robin's Post. |
FX: |
Door Opens |
Grams: |
Old Fashioned Orchestra - As Beginning Of Story - Sound of Dancers |
NED |
Stop the music! |
Grams: |
Slow Music Down To a Blur |
NED |
Where's my wife, Bulgarian Meg? Ahhh - Megggg kis kis kis kisssss. |
RAY |
There must be some mistake. |
PETER |
(Meg the Bulgar) Neddie, Neddie darling, your back - your front - you brought them both with you. |
NED |
I carry them for sentimental reasons I - |
Grams: |
Great Avalanche Of Rocks |
NED |
She's fainted. |
PETER |
(doctor) Stand aside, I'm a doctor, I specialize in fainting. Groannnnnn. |
FX: |
Body Falls To Ground |
NED |
So he does. |
THYNNE |
Neddie, you disrespectful swine standing there with two fainted people - take your shoes off. |
Grams: |
Two Small Explosions |
THYNNE |
Do you have to wear such loud socks? |
NED |
Yes, I've got deaf feet. |
THYNNE |
Yes, folks, exploding socks - it's the new noise clothes. Why not get your grannie a pair of red flannel drawers that go - |
Grams: |
Great Cackling of Startled Hens |
WALLACE |
And with Lord Seagoon's wife safely fainted, and a good laugh on a pair of cackling drawers, we say farewell from page thirteen of another Goon Show. |
BLOODNOK |
Is there no end to it! Ohhhhh! |
Orchestra: |
Old Comrades March |